dates are TBA, but within the next year in the San Francisco Bay Area
-- a festival exploring
the growing multitude of practices of dance, theatrical, and performance
work as process and participatory event: paratheatrical work, participatory
theater, dance/theater/music therapy practices, participatory performance,
contact improvisation, authentic movement, ritual, circle song,
theater of the oppressed, and the evolving art of electronic music
parties to name some reference points without limiting imagination
-- a festival of events, workshops, performances, discussion,
and laboratory where people can come experience, learn, and share creative
work that is meaningfully about our personal process and our interconnections
with each other.
-- a festival celebrating active creative process and collaborative
creativity as having its own vital value
We celebrate creative work as personal and social exploration/practice/play
-- valuable beyond any goals of performance -- and also at performance
work that breaks beyond the proscenium to work with a fully active
and physically engaged "audience".
this festival is "under construction", but a rough view of what
the schedule might look like follows...
| Hours | Thu | Fri | Sat | Sun | Mon | Tue | Wed | Thu | Fri | Sat | Sun |
| 8:30-10 | x | x |
|
||||||||
| 10-12 | x | x | Intensive | ||||||||
| 12-1 | x | x | Intensive | discussion | Intensive | discussion | Intensive | discussion | |||
| 2-4 | x | x | Classes/Labs | ||||||||
| 4-6 | x | welcome and introductions |
|||||||||
| evening | Events (some closed, but most open to the public) | ||||||||||
There would be 2 (or 3) simultaneously used studios of classes, labs,
discussions, and events, so that a wide array of practices, techniques,
ideas, and explorations could be presented, with everyone following
through it a path directed by their own curiosity.
A main feature of the festival will be the evening "Events". These
Events, open to the public, will be places where we get to explore
directly participatory performance works, group ritual, different
frames of movement and creative process.
The Day time activities will be about studying the art of framing
activity, going personally deeper into exploration, and how to facilitate
that deepening exploration for others.
Afternoon classes would be with a very wide range of instructors in
many different forms, shedding different lights on creative process
and ow to use it for self exploration, interconnection, and having
a more pleasurable life. These classes will be interspersed with occasional
lab spaces, to give space for participant generated explorations.
Discussion spaces give space for dialog around principles, techniques,
objectives, and visions around process-based work. The morning
Intensives would be spaces where selected creator/director/teachers
would work with a consistent group on creative process for the duration
of the festival, with one of the aims being the creation of an "event"
on the final weekend, facilitated by the students.
Specific practices, groups, bodies of work that interest us: Contact
Improvisation, Authentic Movement, Butoh, Ritual work, participatory
performance, Theater of the Oppressed, Process Oriented Psychology,
dance/music/drama therapy, performance art, process-oriented
performance, paratheatrical work, Playback Theater, electronic music
parties, 5 Rhythms work, Contemplative Movement, circle song
This festival aims to further activate and connect a growing generation
of creators into bringing creative process into a more integrated
place in our lives, looking at life itself as an art.
We would love to hear if the festival piques your curiosity, and especially
if you have feedback about structure or content. If you would like
to be involved and/or if you think of some practice that should be
on the list or an instructor who would be interesting, feel free to
contact.
For the moment, write to director Karl Frost.
We initiate this project with the feeling that it is a new and needed
gathering that could be part of a greater process of deepening our
investigation of how we choose to live our lives, personally and collectively.
We expect the participation to be rich and the conversations
lively!
Time line: At the moment, the vision is being put out for feedback,
and teachers and creators are being drawn into the conversation. We
should be able to say to what degree it will be happening in
2006 by sometime in late March, at which time we will have the skeleton
of a schedule together and list instructors and directors. {body}











